Across the four and a half decades of his artistic activity, Ranbir Kaleka has produced both a remarkable body of paintings, vibrant with phantasmagoria and epic disquiet, as well as a body of trans-media works that combine conceptualist
Across the four and a half decades of his artistic activity, Ranbir Kaleka has produced both a remarkable body of paintings, vibrant with phantasmagoria and epic disquiet, as well as a body of trans-media works that combine conceptualist sophistication with a calibrated opulence of image.
During the last twenty years, Kaleka has orchestrated a number of arrangements of the painted image and the projected image, arranged so as to cohabit in the same space. However he does not embrace the simple juxtaposition, superimposition or mixed use of media to achieve a pluralising effect. On the contrary, he produces a meticulously calibrated adjacency of media with which to disrupt the civilities of the layered image. Kaleka’s images are only apparently simultaneous and palimpsestual. In experienced actuality, they are asynchronous: they lag behind one another, snag at one another, hold together in a spectral shimmer only to split apart in brief bursts, before regaining a deceptive stability. In the subtle gap between the manifestations of these images, Kaleka breaks open the difference of spatiality, temporality, sensation and significance, making us intensely alive to the condition of viewerly reception.
Ranbir Kaleka lives and works in New Delhi.
Academics
Ranbir Kaleka studied at the College of Art, Chandigarh and the Royal College of Art, London.
Awards
National award by the President of India at the 22nd National Exhibition of Art, organized by Lalit Kala Akademi, Delhi, in 1979.
Across the four and a half decades of his artistic activity, Ranbir Kaleka has produced both a remarkable body of paintings, vibrant with phantasmagoria and epic disquiet, as well as a body of trans-media works that combine conceptualist sophistication with a calibrated opulence of image.
During
Across the four and a half decades of his artistic activity, Ranbir Kaleka has produced both a remarkable body of paintings, vibrant with phantasmagoria and epic disquiet, as well as a body of trans-media works that combine conceptualist sophistication with a calibrated opulence of image.
During the last twenty years, Kaleka has orchestrated a number of arrangements of the painted image and the projected image, arranged so as to cohabit in the same space. However he does not embrace the simple juxtaposition, superimposition or mixed use of media to achieve a pluralising effect. On the contrary, he produces a meticulously calibrated adjacency of media with which to disrupt the civilities of the layered image. Kaleka’s images are only apparently simultaneous and palimpsestual. In experienced actuality, they are asynchronous: they lag behind one another, snag at one another, hold together in a spectral shimmer only to split apart in brief bursts, before regaining a deceptive stability. In the subtle gap between the manifestations of these images, Kaleka breaks open the difference of spatiality, temporality, sensation and significance, making us intensely alive to the condition of viewerly reception.
Ranbir Kaleka lives and works in New Delhi.
Academics
Ranbir Kaleka studied at the College of Art, Chandigarh and the Royal College of Art, London.
Awards
National award by the President of India at the 22nd National Exhibition of Art, organized by Lalit Kala Akademi, Delhi, in 1979.
Exhibitions
Group Exhibitions:
Goethe Institut Max Mueller, Mumbai in 2022.
Palazzo Madama, Turin, Italy in 2021 - 2022.
Kiran Nadar Museum of Art, New Delhi in 2021.
Hong-gah Museum, Taipei, Taiwan in 2021.
Gallery Ojas, Delhi in 2021.
Vadehra Art Gallery, New Delhi in 2021.
Vancouver Art Gallery in 2020.
India Habitat Centre, New Delhi in 2020.
The Fotofest 2018 Biennial, Houston, Texas in 2018.
