The hush of this new room, where light slows down to hesitate and sound gathers like sediment, eight artists have woven a fragile cartography of what persists beneath the visible. They are monuments, but conduits  to drift through nets that remember tides, through pigments that breathe memory, through darkness where objects murmur their discarded lives. Here, the gallery becomes vein itself: a network carrying the slow pulse of Sundarbans labour, the intimate acoustics of domestic breath, the spectral gleam of things once overlooked.

Abdulla PA constructs a chamber of shadows where reflections multiply like unanswered questions. Mehak Garg charts the emotional architecture of home through paint and the stolen conversations of women—sounds that settle into walls like dust. Amjum Rizve lays bare his alchemical table, where threads and colours become portals to unseen geographies. Priyaranjan Purkait suspends the Sundarbans in knotted fibre, each net a map of what the delta withholds. Sujith, Chandrashekar Koteshwar, Sudhayadas, and Ravinder Reddy anchor this drift with works that speak of earth’s stubborn memory, body’s endless performative possibilities, terracotta’s ancient syntax, sky’s endless negotiation with horizon.

This is no mere assembly of objects. It is an ecology of attention. It is a passionate call to unlearn the hurried gaze, to let body and ear become instruments of knowing. Walk slowly. The space itself is listening. What you carry away is not image alone, but the weight of having been present when the quiet chose to speak.

Abdulla PA, Amjum Rizve, Chandrashekar Koteshwar, Mehak Garg, Priyaranjan Purkait, Ravinder Reddy, Sudhayadas, Sujith  SN